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The Glass Menagerie (Aurora Theatre 1999)

by Tennessee Williams

directed by Soren Oliver

handbells by me

The classic story of a damaged mother, a damaged daughter, and the son torn between helping and escaping.

Gentlemen Callers …

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Spring Storm (Marin Theatre Company 1999)

by Tennessee Williams

direct by Lee Sankowich

tenor sax by Damien Masterson

soprano sax by Peter MacDonough

flute by Mitch Marcus

clarinet by Mitch Marcus

violin by Randy Weiss

bass …

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The Turn of the Screw (Marin Theatre Company 1998)

by Jeffrey Hatcher from Henry James

directed by Lee Sankowich

violin by Randy Weiss

cello by a SF Conservatory of Music student, name lost forever

vocals by Jenny Lord and …

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The Last Hairdresser (Theatre Rhinoceros 1997)

by Doug Holsclaw

directed by Danny Scheie

lyrics but Doug Holsclaw

vocals by Doug Holsclaw, Brian Yates, PA Cooley, Alexis Lezin, Sandy Schlecter

Three queens are forced to attend cosmetology …

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Much Ado About Nothing (San Francisco Shakespeare Festival 1997)

by William Shakespeare

directed by Albert Takazauckas

lyrics by William Shakespeare

vocals by Ken Stegmiller, Gerson Perla

mandolin by Jeff Terflinger

Beatrice, Benedick, et al, set in the 1940s.

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The Big Drag (Theatre Rhinoceros 1997)

by Chris Leeder and Sean Owens

directed by Meredith Eldred

lyrics by Chris Leeder

vocals by Trauma Flintstone

A film noir with the genders all mixed up.

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The Stand-In (Theatre Rhinoceros 1997)

by Keith Curran

directed by Danny Scheie

A closeted soap opera star tries to save his career, with hilarious results.

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The Old Lady’s Guide to Survival (Marin Theatre Company 1996)

by Mayo Simon

directed by Lee Sankowich

Two elderly women neighbors, one blind and one demented, learn to take care of each other.

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Curbs & Corridors (Paul Taylor Dance Company 1990)

by Christopher Gillis

choreographed by Christopher Gillis

Modern dance at City Center in Manhattan with the Paul Taylor Dance Company.

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Don’t Dress for Dinner (California Conservatory Theatre 2007)

by Marc Camoletti

directed by: Kim Richards

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